Black Panther movie review: A Marvel movie unlike anything you ever seen;
groundbreaking, glorious
Black Panther movie review:
Several artistes - Ryan Coogler, Chadwick Boseman, Michael B Jordan and
Kendrick Lamar - have come together to create a movie unlike any Marvel has
ever made.
Black Panther
Director - Ryan Coogler
Cast - Chadwick Boseman, Michael B Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forewst Whitaker, Andy Serkis
Rating - 4.5/5
Director - Ryan Coogler
Cast - Chadwick Boseman, Michael B Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forewst Whitaker, Andy Serkis
Rating - 4.5/5
If the movies have been
responsible for tarnishing the reputation of an entire culture, then the
responsibility to rebuild it also must fall on them.
It has taken a decade, 18 films – most good, some great, none
bad – hundreds of actors, thousands of crew and billions of dollars for the
Marvel Cinematic Universe to arrive at this point. The road hasn’t always been
pretty, but we’re here now, older, hopefully wiser, and excited for what comes
next.
Black Panther is a film that is as much about respecting the
past as it is about embracing the future. So it begins with a story, about
Wakanda, a fictional African nation hidden away from the world, behind impenetrable
rainforests and unconquerable mountains, un colonized, unchained.
It is the home of
T’Challa, who until recently was the crown prince of the country. His father
was murdered in Berlin during the events of Captain America: Civil War – we sat
and watched in quiet shock as T’Challa wept with the King’s head in his arms,
his final words to him ringing in his head.Now T’Challa must return to Wakanda,
to take over the throne, and become the rightful heir. So he buckles into a
futuristic aircraft with his general, Okoye, and his ex, Nakia, and returns
home, through impenetrable rainforests and over unconquerable mountains. And as
played by Chadwick Boseman, he has the swagger of Kanye West, the theatricality
of Beyonce and the raw charm of Barack Obama.
Black Panther is Marvel continuing what films like the last couple of
Captain America movies, and even Thor: Ragnarok, to an extent, started; I dare say,
for over an hour, it is barely even a superhero movie. But this is just what
Marvel needed at this stage in their industry-altering and blazingly ambitious
series of interconnected movies. True, there is a lot here that seems signature
Marvel – most depressingly, they’ve once again fallen in the trap of pitting
the hero against a beefier version of himself, and the action is Marvel action,
which means a lot of quick cuts and very little sense – but there is more that
seems unlike anything we’ve seen in a movie before, let alone a Marvel film.One
scene in particular, set in Korea, is straight out of Skyfall, right down to
the set, the arm candy, and the wireless communication. It’s followed
immediately by a rather lavish chase along the neon-soaked streets of Busan
that involves cars with gadgets that harken back to Pierce Brosnan-era James
Bond.
But while it is set-pieces such as this that we would normally
look forward to in any other Marvel movie – remember the sliced ferry in Spider-Man: Homecoming, or the Formula 1 race
in Iron Man 2, or the airport tussle in Civil War? – taken in context to the
rest of Black Panther, it seems almost misplaced.It would perhaps have been too
bold of Marvel to make this geopolitical thriller without any action – perhaps
one day, when there is not a shred of insecurity remaining, and just
confidence, and pride, we could expect a movie in which instead of beating each
other to a pulp, characters have a chat instead. But till then, we will have
Black Panther, a movie that takes just as much pride in showing off its
CGI-heavy landscapes as it does in reveling in surreal African rituals. It is
vibrant, dizzyingly well-plotted, and when it needs to be, immensely relevant.
Black Panther is a
movie that is a melding of two very different kinds of cultures, both black,
but from either ends of the world. And in an unusual turn of events for a
series that has a near-perfect hit rate, the villain this time is not one
you’re likely to forget anytime soon. He is the manifestation of this clash of
cultures, torn between two homes, two identities, burdened by the past of his
ancestors, and worried about the future of his people.Marvel villains are, to
put it politely, a bit of a joke. There’s a reason they keep contriving ways to
include Loki in the story. But Killmonger, as played in Black Panther by
Michael B Jordan, is without even a hint of doubt, the sort of villain whose
motivations are beyond reproach. It is one of those few occasions when that old
chestnut – every villain is the hero of his story – makes complete sense.
This is Jordan’s third
film with director Ryan Coogler, who I’ve saved for last. There is not enough
that can be said about what he has achieved with this film. Better minds will
continue writing about it for years. They will make videos about this movie, it
will be discussed among friends of all ages, all races, all shapes and sizes;
it will be taught in school, debated among intellectuals, it will be seen as
the moment everything changed.And behind it all is this 31-year-old black
filmmaker from Oakland, who has now made three bona fide classics. He has
beside him his friends -- a legendary cast, his history making cinematographer,
Rachel Morrison, his insanely eclectic composer, Ludwig Göransson, and the
greatest rapper of his generation, Kendrick Lamar. This is their movie. It’s
their moment. Wakanda forever.
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